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ISBN 10: 0812971280

Feb 10, ISBN Jan 21, ISBN He has been a thoughtful and stylish witness to the best and worst of the American century. There is enough of his best in this book for it to be welcomed with gratitude. Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.

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His language carries you through the story like a leaf on a stream. Born in in Long Branch, New Jersey, and raised in Brooklyn, New York, Norman Mailer was one of the most influential writers of the second half of the twentieth century and a leading public intellectual for nearly sixty years…. More about Norman Mailer. You know the type, about seven inches by ten. They had soft, shiny blue covers and they were, oh, only ten cents in those days, or a nickel.

They ran to about a hundred pages each and I used to write on both sides. My writing was remarkable for the way I hyphenated words. I loved hyphenating, and so I would hyphenate "the" and make it "th-e" if it came at the end of the line. Or "they" would become "the-y. I didn't even try out for the high school literary magazine. I had friends who wrote short stories, and their short stories were far better than the ones I would write for assignments in high school English and I felt no desire to write.

When I got to college, I started again. I started reading some decent novels for the first time. It was the first truly literary experience I had, because the background of Studs was similar to mine. I grew up in Brooklyn, not Chicago, but the atmosphere had the same flatness of affect. Until then I had never considered my life or the life of the people around me as even remotely worthy of-well, I didn't believe they could be treated as subjects for fiction. It never occurred to me.

Suddenly I realized you could write about your own life. I wasn't very good. I was doing short stories all the time, but I wasn't good. If there were fifty people in the class, let's say I was somewhere in the top ten.

ISBN 10: 0812971280

My teachers thought I was fair, but I don't believe they ever thought for a moment I was really talented. Then in the middle of my sophomore year I started getting better.

I got on The Harvard Advocate and that gave me confidence, and about this time I did a couple of fairly good short stories for English A-1, one of which won Story magazine's college contest for that year. And when I found out it had won-which was at the beginning of the summer after my sophomore year []-well, that fortified me, and I sat down and wrote a novel. It was a very bad novel. Enlightenment Now. Steven Pinker. Gwendy's Button Box. End of Watch. The Bullet Journal Method. Ryder Carroll. Year of Yes. Shonda Rhimes. The Uninhabitable Earth. David Wallace-Wells. Nietzsche: eight books in English translation.

Friedrich Nietzsche. Robert M. Leonardo da Vinci. Walter Isaacson. First, We Make the Beast Beautiful. Sarah Wilson. No Plot? No Problem!

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Revised and Expanded Edition. Chris Baty. The Pigeon Tunnel. Structuring Your Novel. Amy Cuddy. Flight or Fright. Welcome to Night Vale. Joseph Fink. Scaachi Koul. The Lost Flowers of Alice Hart. Holly Ringland. Norse Mythology. Neil Gaiman.

THE SPOOKY ART: Some Thoughts on Writing

Doctor Sleep. Lost Connections. Johann Hari. Dare to Lead. Furiously Happy. Jenny Lawson. The City of Mirrors. Justin Cronin. Philip K. Miami and the Siege of Chicago. Norman Mailer. The Castle in the Forest.

The Spooky Art – some thoughts on Writing by Norman Mailer. « Mind Bursts

The Armies of the Night. Harlot's Ghost. The Executioner's Song. On God. Ancient Evenings.

The Deer Park. The Naked and the Dead. Tough Guys Don't Dance. The Gospel According to the Son. An American Dream. Barbary Shore. Why Are We in Vietnam? Advertisements for Myself. Why Are We at War? The Cinema of Norman Mailer. Modest Gifts.